{"id":259,"date":"2023-12-28T10:42:34","date_gmt":"2023-12-28T09:42:34","guid":{"rendered":"https:\/\/www.legaragephotographie.com\/?page_id=259"},"modified":"2024-01-17T12:15:32","modified_gmt":"2024-01-17T11:15:32","slug":"anne-sophie-costenoble-2019-2023","status":"publish","type":"page","link":"https:\/\/www.legaragephotographie.com\/index.php\/anne-sophie-costenoble-2019-2023\/","title":{"rendered":"Anne-Sophie Costenoble 2019\/2023"},"content":{"rendered":"\t\t
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Anne-Sophie Costenoble\n2020\/2023<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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CHAOS CALME<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le quartier de la Cayolle, situ\u00e9 entre le Parc National des Calanques et la ville de Marseille a une histoire particuli\u00e8re. Il s\u2019est \u00e9rig\u00e9 au sortir de la guerre sur l\u2019ancien camps du Grand Arenas. On peut y lire le r\u00e9cit des migrations avec l\u2019arriv\u00e9e de plusieurs communaut\u00e9s: prisonniers russes et allemands, travailleurs coloniaux indochinois, juifs en partance pour Isra\u00ebl, immigr\u00e9s maghr\u00e9bins, familles roms ou marseillaises expuls\u00e9es en qu\u00eate d\u2019un relogement.
Ce fut longtemps un lieu de transit, de mise \u00e0 l\u2019\u00e9cart. Une terre d\u2019accueil et de solidarit\u00e9 \u00e9galement. Les choses se sont doucement d\u00e9lit\u00e9es dans les ann\u00e9es 80. On dit de ce territoire qu\u2019il est \u00abun morceau des quartiers nord tomb\u00e9 dans le sud\u00bb.
Un important programme de r\u00e9novation urbaine est en cours. Un quartier en voie de gentrification. Ici, l\u2019urbaniste parle de \u00abrenouvellement urbain\u00bb, de \u00abd\u00e9cloisonnement social\u00bb, de \u00abg\u00e9ographie r\u00eav\u00e9e\u00bb, de \u00abzone neutre\u00bb.
Certains habitants ont trouv\u00e9 les cl\u00e9s et le discours. Les autres semblent mis \u00e0 l\u2019\u00e9cart. Engloutis par un quotidien difficile, un monde r\u00e9tr\u00e9ci, une col\u00e8re sourde.<\/p>\n

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Projet de r\u00e9sidence finalis\u00e9 par une exposition \u00e0 Marseille en 2024 (Le Pangolin) et un livre chez Arnaud Bizalion Editeur.<\/em><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Marseille-009\"<\/figure><\/div>
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Anne-Sophie Costenoble explore et glane des instants ordinaires et fragiles. Son approche sensible et po\u00e9tique de la photographie donne une place centrale au hasard et \u00e0 l\u2019errance. Souvent nimb\u00e9es d\u2019une atmosph\u00e8re onirique et cr\u00e9pusculaire, ses images semblent nous parvenir d\u2019horizons lointains et cheminer entre urgence et \u00e9garement.<\/span><\/span><\/p>\n

M\u00e9langer les disciplines artistiques l\u2019enchante.\u00a0 Elle a notamment collabor\u00e9 avec l\u2019artiste sonore Margarida Guia, le po\u00e8te Carl Norac, l\u2019imprimeur Bruno Robbe, l\u2019\u00e9crivaine Caroline Lamarche, les photographes <\/span><\/span>Nia Diedla,\u00a0 Jean-Fran\u00e7ois Spricigo,…<\/span><\/span><\/p>\n

\u200b<\/span><\/span><\/span><\/span>Ses photographies ont \u00e9t\u00e9 expos\u00e9es en Belgique, notamment au Mus\u00e9e de la Photographie \u00e0 Charleroi et \u00e0 l\u2019Espace Contretype \u00e0 Bruxelles, mais \u00e9galement en France dans le cadre du Festival Itin\u00e9raires des Photographes Voyageurs \u00e0 Bordeaux, des Transphotographiques de Lille, \u00e0 Arles et projet\u00e9es au Bal et \u00e0 la MEP \u00e0 Paris. Ses travaux ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans divers pays d\u2019Europe ainsi qu\u2019au Mali (Rencontres de Bamako 2007).<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Philippe Dollo - \u00c0 partir de 2024<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Margret Hoppe 2017\/2019<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Klavdij Sultan 2015\/2017<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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C\u00e9cile Menendez 2016\/2017<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Lionel Briot 2015\/2016<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Didier Ben Loulou 2012\/2014<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Anne-Sophie Costenoble 2020\/2023 CHAOS CALME Le quartier de la Cayolle, situ\u00e9 entre le Parc National des Calanques et la ville de Marseille a une histoire particuli\u00e8re. Il s\u2019est \u00e9rig\u00e9 au sortir de la guerre sur l\u2019ancien camps du Grand Arenas. On peut y lire le r\u00e9cit des migrations avec l\u2019arriv\u00e9e de plusieurs communaut\u00e9s: prisonniers russes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-259","page","type-page","status-publish","hentry","entry"],"yoast_head":"\nAnne-Sophie Costenoble 2019\/2023 - 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